Blue Note publish Cassandra Wilson’s ‘Loverly’ (2008)

Cassandra Wilson‘s ‘Loverly’ is an album produced by herself and released on June 10, 2008 by Blue Note.

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Blue Note publish Cassandra Wilson’s ‘Loverly’ (2008)

1 . Loverly

2 . Caravan

3 . ‘Til There Was You

4 . St. James Infirmary

5 . Dust my broom

6 . Sleepin’ bee

Track Listing : 1.Lover, Come Back To Me (Sigmund Romberg, Oscar Hammerstein Ii) – 04:16 . 2.A Day In The Life Of A Foo’ (Luiz Bonfá, Antonio Maria) – 04:58 . 3.Wouldn’T It Be Loverly (Alan Jay Lerner, Frederick Loewe) – 05:02 . 4.Gone With The Wind (Herb Magidson, Allie Wrubel) – 05:51 . 5.Caravan (Duke Ellington, Juan Tizol, Irving Mills) – 04:23 . 6.’Til There Was You (Meredith Willson) – 06:42 . 7.Spring Can Really Hang You Up The Most (Fran Landesman, Tommy Wolf) – 05:01 . 8.Arere (Babalola, Moran, Plaxico, Riley, Sewell, Wilson) – 05:42 . 9.St. James Infirmary (Irving Mills) – 04:40 . 10.Dust My Broom (Elmore James, Robert Johnson) – 04:46 . 11.The Very Thought Of You (Ray Noble) – 04:47 . 12.A Sleepin’ Bee (Harold Arlen, Truman Capote) – 04:35

Musicians : Cassandra Wilson – Vocals . Jason Moran – Piano On (1 – 2 – 3 – 4 – 5 – 6 – 8 – 9 – 10 – 12) . Marvin Sewell – Guitar On (1 – 2 – 3 – 4 – 5 – 6 – 7 – 8 – 9 – 10 – 12) . Lonnie Plaxico – Acoustic Bass On (1 – 2 – 3 – 4 – 5 – 6 – 8 – 9 – 10 – 12) . Reginald Veal – Acoustic Bass On (11) . Herlin Riley – Drums On (1 – 2 – 3 – 4 – 5 – 6 – 8 – 9 – 10 – 12) . Lekan Babalola – Percussion On (1 – 2 – 4 – 5 – 6 – 8 – 9 – 10 – 11 – 12) . Rhonda Richmond – Background Vocals On(8) . Nicholas Payton – Trumpet On (1)

Production : Produced By Cassandra Wilson . Jason Wormer – Engineer . Kent Bruce – Engineer . Wesley Fontenot – Assistant Engineer . Emile Kelman – Assistant Engineer

Package : Jenny Bagert – Photography . Gordon H. Jee – Design

Recorded August 13-17, 2007.

Released On June 10, 2008 By Blue Note.

(Source Cassandra Wilson – Loverly | Official Site)

Cassandra Wilson

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The New-York Times
Occasionally you hear some kind of clinking, maybe from Ms. Wilson’s bracelet; she gooses the rhythm section with grunts, the way she might on a gig, or wanders off microphone and sings a few lines to the walls. […]

http://jazz.about.com/
Not everything on Loverly works. Wilson’s voice is perfectly suited for breathy, glacial ballads and earthy grooves. But on the upbeat “Lover Come Back to Me,” she sounds slightly enervated. […]

allmusic
The reading of “Black Orpheus” here is unusual: Wilson is very conservative in her approach to the melody, so much so that the beautiful Portuguese “saudade” element is texturally amplified and bossa is stretched to the breaking point. […]

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