Miles Davis records an extra track for the ‘Bags’ Groove’ album (1954)

Miles Davis‘ ‘Bags’ Groove’ is an album compiling material from two 10 LPs recorded in 1954, plus two alternate takes recorded on June 29 & December 24, 1954 and released in 1957 by Prestige.

Track Listing : 1.Bags’ Groove (Milt Jackson) [Take 1] – 11:16 . 2.Bags’ Groove (Milt Jackson) [Take 2] – 09:24 . 3.Airegin (Sonny Rollins) – 05:01 . 4.Oleo (Sonny Rollins) – 05:14 . 5.But Not For Me (George Gershwin, Ira Gershwin) [Take 2] – 05:45 . 6.Doxy (Sonny Rollins) – 04:55 . 7.But Not For Me (George Gershwin, Ira Gershwin) [Take 1] – 04:36

Musicians : Miles Davis – Trumpet . Percy Heath – Bass . Kenny Clarke – Drums . Milt Jackson – Vibraphone On (1 -2) . Thelonious Monk – Piano On (1 -2) . Sonny Rollins – Tenor Saxophone On (3 – 4 – 5 – 6 – 7) . Horace Silver – Piano On (3 – 4 – 5 – 6 – 7) . The Modern Jazz Giants – Band

Production : Produced By Bob Weinstock Rudy Van Gelder – Engineer

Recorded On June 29 & December 24, 1954 At Van Gelder Studio, Hackensack.

Released In 1957 By Prestige.

Miles Davis

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Mark’s Record Reviews
My girlfriend likes the vibraphone solo in the title track. You’ve now read every positive comment I have to make about this album. Taking its title from the fact that only old “bags” could possibly “groove” to its safe, staid pleasantries, this album features seven tracks recorded on June 29 and December 24, 1954. World-famous tenor saxophonist and spoken word artist Henry “Sonny” Rollins appears on five of the tracks, three of which he wrote himself! And they suck! […]

photoghost @ RateYourMusic
Jeez, Bags’ Groove rocks. You get Sonny Rollins and Horace Silver together and the joy is irrepressible. Thelonious owns his solo on take 2 of the title trackand Percy Heath and Kenny Clarke are so locked in the entire time. (Whoa, Percy Heath’s bass lines!!) […]

SA-CD
The sound remains solid throughout with the one noted exception. Percy and Clarke provide solid backbone but do not stretch out, all other players solo frequently. The release gives a preview of what the first great quintet will become though none of the members save Davis will be a part. This release shows why I find the mid to late 50’s to be a golden era for Jazz. Analogue Productions and Kevin Gray have done a great job here as they have with the others in this series. These early Prestige records will live long thanks to releases like this. […]

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