‘Miles Davis at Carnegie Hall’ is a live album subtitled ‘The Legendary Performances of May 19, 1961’ and released the next year by Columbia.
Track Listing : 1.So What (Miles Davis) – 12:04 . 2.Spring Is Here (Lorenz Hart, Richard Rodgers) – 03:58 . 3.No Blues (Miles Davis) – 10:55 . 4.Oleo (Sonny Rollins) – 07:23 . 5.Someday My Prince Will Come (Frank Churchill, Larry Morey) – 02:43 . 6.The Meaning Of The Blues / Lament (Bobby Troup, Leah Worth / J.J. Johnson) – 04:34 . 7.New Rhumba (Ahmad Jamal) – 04:06
Musicians : Miles Davis – Trumpet . Hank Mobley – Tenor Saxophone . Wynton Kelly – Piano . Paul Chambers – Bass . Jimmy Cobb – Drums . Janet Putnam – Harp . Wynton Kelly – Piano On (2) . Paul Chambers – Bass . Jimmy Cobb – Drums . Bobby Rosengarden – Percussion . Gil Evans – Conductor . Gil Evans Orchestra – Orchestra . Danny Bank – Reeds . Eddie Caine – Reeds . Romeo Penque – Reeds . Bob Tricarico – Reeds . Dick Hixon – Trombone . Jimmy Knepper – Trombone . Frank Rehak – Trombone . Bernie Glow – Trumpet . Louis Mucci – Trumpet . Ernie Royal – Trumpet . Billy Barber – Tuba . Bob Swisshelm – French Horn . Julius Watkins – French Horn
Production : Produced By Teo Macero . Gil Evans
Arrangements : Gil Evans
Package : Howard Fritzson – Art Direction . Bob Blumenthal – Liner Notes . Bill Coss – Liner Notes . George T. Simon – Liner Notes . John S. Wilson – Liner Notes . Vernon Smith – Photography
Recorded On May 19, 1961 At Carnegie Hall, Nyc.
Released In 1962 By Columbia.
mark my words
The Carnegie Hall concert also featured the Gil Evans Orchestra, and it was the first time that Davis had ever performed live with an orchestra. […]
While it’s tempting to try and connect the historical dots, and proclaim such performances as first steps towards the contours he perfected with his mid-’60s quintet, Miles’ life-long knack of tapping the pulse of the jazz scene suggests that he was riding hard bop’s cresting second wave,… […]
All About Jazz
This is not my favorite Miles. He was simultaneously rattling his book to pieces while refining his modal performances. I prefer his earlier, less frenetic performances of “Walkin?” and “So What.” In any case, I cannot deny the historic significance of this rococo period in Davis? long career. […]