Miles Davis’ ‘Get Up with It’

Miles Davis‘ ‘Get Up with It’ is an album (his last before a five years retirement) collecting tracks recorded between 1970 and 1974 and released on November 22, 1974 by Columbia.

Track Listing : 1.He Loved Him Madly (Miles Davis) – 32:05 . 2.Maiysha (Miles Davis) – 14:49 . 3.Honky Tonk (Miles Davis) – 05:54 . 4.Rated X (Miles Davis) – 06:49 . 5.Calypso Frelimo (Miles Davis) – 32:10 . 6.Red China Blues (Miles Davis) – 04:10 . 7.Mtume (Miles Davis) – 15:12 . 8.Billy Preston (Miles Davis) – 12:35

Musicians : Miles Davis — Trumpet, Electric Trumpet With Wah-Wah, Organ, Electric Piano, . Dave Liebman — Alto Flute On (1 – 5) . Pete Cosey — Electric Guitar On (1 – 2 – 5 – 7) . Reggie Lucas — Electric Guitar On (1 – 2 – 4 – 5 – 7 – 8) . Dominique Gaumont — Electric Guitar On (1 – 2) . Michael Henderson — Bass Guitar On (1 – 2 – 3 – 4 – 5 – 6 – 7 – 8) . Al Foster — Drums On (1 – 2 – 4 – 5 – 6 – 7 – 8) . James Mtume — Percussion On (1 – 2 – 4 – 5 – 6 – 7 – 8) . Sonny Fortune — Flute On (2 – 7) . Steve Grossman — Soprano Saxophone On (3) . John Mclaughlin — Electric Guitar On (3) . Keith Jarrett — Electric Piano On (3) . Herbie Hancock — Clavinet On (3) . Billy Cobham — Drums On (3) . Airto Moreira — Percussion On (3) . Cedric Lawson — Electric Piano On (4 – 8) . Khalil Balakrishna — Electric Sitar On (4 – 8) . Badal Roy — Tabla On (4 – 8) . John Stubblefield — Soprano Saxophone On (5) . Lester Chambers — Harmonica On (6) . Cornell Dupree — Electric Guitar On (6) . Bernard Purdie — Drums On (6) . Carlos Garnett — Soprano Saxophone On (8)

Production : Produced By Teo Macero . Stanley Tonkel – Engineer

Package : Teresa Alfieri – Cover Design . Andy Engel – Hand Lettering . Howard Fritzson – Art Direction . Urve Kuusik – Photography . Randall Martin – Design . Giuseppe Pino – Cover Photo . Paul Slaughter – Photography

Recorded May 1970 – October 1974 At Columbia Studios B And E (Nyc).

Released On November 22, 1974 By Columbia.

(Source Miles Davis‘ ‘Get Up with It’ | Official Website)

Miles Davis

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Rolling Stone
The cut is Miles’s tribute to another one of his soul inspirations and is a gas. As he has always done, this artist keeps plunging ahead, sure of where he’s going and not bothering to look over his shoulder to see who’s inevitably going to follow. […]

Stylus
And that’s what Miles did soon after the release of this record and a few Japan-only live documents: he put down his horn for the rest of the decade, letting cobwebs envelop his house. I will not guess at his reasons for doing so; I’m sure he had his own. And like his smoky, brooding cover photograph on this album, all hexagonal glasses and pursed lips, to say nothing of the music within, it’s a mystery. I would expect nothing else. […]

allmusic
This may be the most “commercial” sounding of all of Miles’ electric records from the ’70s, but it still sounds out there, alienand futuristic in all the best waysand Get Up with It is perhaps just coming into its own here in the 21st century. […]

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Miles Davis‘ ‘Get Up with It’

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