Decca publish ‘Small Faces’ debut album featuring ‘Sha-La-La-La-Lee’ (1966)

Small Faces’ feat. ‘Sha-La-La-La-Lee’ is their eponymous debut album featuring Ronnie Lane as lead vocalist and released on May 11, 1966 by Decca.

Track Listing : 1.Shake (Sam Cooke) – 02:55 . 2.Come On Children (Kenney Jones, Ronnie Lane, Steve Marriott, Jimmy Winston) – 04:20 . 3.You’D Better Believe It (Kenny Lynch, Jerry Ragovoy) – 02:19 . 4.It’S Too Late (Kenney Jones, Ronnie Lane, Steve Marriott, Jimmy Winston) – 02:37 . 5.One Night Stand (Ronnie Lane, Steve Marriott) – 01:50 . 6.Whatcha Gonna Do About It (Ian Samwell, Ronnie Lane, Steve Marriott) – 01:59 . 7.Sorry She’S Mine (Kenny Lynch) – 02:48 . 8.Own Up Time (Kenney Jones, Ronnie Lane, Steve Marriott, Ian Mclagan) – 01:47 . 9.You Need Loving (Ronnie Lane, Steve Marriott) – 03:59 . 10.Don’T Stop What You’Re Doing (Kenney Jones, Ronnie Lane, Steve Marriott, Jimmy Winston) – 01:55 . 11.E Too D (Ronnie Lane, Steve Marriott) – 03:02 . 12.Sha-La-La-La-Lee (Kenny Lynch, Mort Shuman) – 02:56

Musicians : Small Faces – Band . Steve Marriott – Lead Guitar, Lead Vocals Except (1), Backing Vocals . Ronnie Lane – Bass, Backing Vocals, Lead Vocals On (1) . Kenney Jones – Drums, Percussion . Ian Mclagan – Keyboards, Backing Vocals On (1 – 3 – 5 – 8 – 9 – 12) . Jimmy Winston – Keyboards, Backing Vocals, Rhythm Guitar On (2 – 4 – 6 – 10 – 11) . Kenny Lynch – Backing Vocals On (3 – 7 – 12)

Production : Produced By Ian Samwell, Kenny Lynch, Don Arden .

Recorded June 1965 – February 1966 At Ibc Studios, Portland Place, London.

Released On May 11, 1966 By Decca.

(Source Official Site)

Small Faces

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Ultimate Classic Rock
While “You Need Love” was never released as a single, its impact was great on other British musicians. A few years later, JImmy Page and Robert Plant borrowed it for Led Zeppelin‘s “Whole Lotta Love,” a mix of Dixon’s framework and the Small Faces’ phrasings. […]

allmusic
If anything, no other British band of the mid-’60s was so keenly tuned into fashion, the four Small Faces capturing the style and sound of dancing pilled-up mods better even than the Who, possibly because the group could carry a groove better than the Who, as this tightly propulsive debut amply illustrates. […]

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