Eric Bibb – Blues People
Released on November 4, 2014, “Blues People” is a studio album featuring “a collection of songs about change and hope” by Eric Bibb.
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Track Listing : 1.Silver Spoon (Eric Bibb) – 04:21 . 2.Driftin’ Door To Door (Eric Bibb, M.J. Browne) – 03:25 . 3.God’S Mojo (Eric Bibb, Glen Scott) – 04:14 . 4.Turner Station (Eric Bibb) – 03:54 . 5.Pink Dream Cadillac (Eric Bibb) – 02:38 . 6.Chocolate Man (Guy Davis) – 04:01 . 7.Rosewood (Eric Bibb, Glen Scott) – 05:01 . 8.I Heard The Angels Singin’ (Rev. Gary Davis) – 03:45 . 9.Dream Catchers (Eric Bibb, Ruthie Foster, Harrison Kennedy) – 04:17 . 10.Chain Reaction (James Bryan, Curtis Richa, Glen Scott.3:23 . 11.Needed Time (Traditional) – 06:30 . 12.Out Walkin’ (Eric Bibb) – 02:19 . 13.Remember The Ones (Eric Bibb, Ulrika Ponten, Larry Tillery) – 03:35 . 14.Home (Eric Bibb, Andre De Lange) – 04:33 . 15.Where Do We Go (Eric Bibb) – 04:00
Musicians : Eric Bibb – Guitar (Acoustic), Guitar (Electric), Ukulele, Vocals . Staffan Astner – Acoustic Slide Guitar, Bouzouki, Guitar (Acoustic), Guitar (Electric), Ukulele . Michael Jerome Browne – Acoustic Slide Guitar, Electric Slide Guitar, Guitar (12 String), Guitar (Acoustic) . Taj Mahal – Banjo, Vocals On (11) . Glen Scott – Bass, Drums, Fender Rhodes, Horn Arrangements, Keyboards, Melodica, Rgan (Hammond), Percussion, Piano, Vocals (Background), Wurlitzer On (10) . Leyla Mccalla – Banjo, Vocals On (15) . Desmond Foster – Bass . Neville Malcolm – Bass, Bass (Upright) . Guy Davis – Guitar (Acoustic), Vocals On (6) . Andre De Lange – Vocals On (14) . Ruthie Foster – Vocals On (9 – 11) . Harrison Kennedy – Vocals On (9) . Erik Arvinder – Conductor . Paul Robinson – Drums, Percussion . Olli Haavisto – Pedal Steel Guitar . Popa Chubby – Guitar (Electric) On (1) . J.J. Milteau – Harmonica On (8) . The Blind Boys Of Alabama – Vocals On (8 – 11) . Linda Tillery – Vocals On (13) . Solo Cissokho – Kora . Petri Hakala – Mandola . Paul Beasley – Vocals On (8 – 11) . Jimmy Carter – Vocals On (8 – 11) . Eric “Ricky” Mckinnie – Vocals On (8 – 11) . Ben Moore – Vocals On (8 – 11) . Joey Williams – Vocals On (8 – 11) . Voitek Goral – Sax (Soprano) . Ulrika Ponten – Vocals (Background) . Sara Bergkvist – Vocals (Background) . Bob Manning – Vocals (Background) . Paris Renita – Vocals (Background) . Big Daddy Wilson – Vocals (Background) . Tahirah Andrews – Choir/Chorus . Cherelle Braithwaite – Choir/Chorus . Shaneeka Simon – Choir/Chorus . Israel Tomlinson – Choir/Chorus . Lorna Vassell – Choir/Chorus
Production : Produced By Staffan Astner, Glen Scott . Brent Allen – Engineer . Evan Black – Engineer . Daniel Boivin – Engineer . Dan Cimo – Engineer . Adam Cole – Engineer . Dyre Gormsen – Engineer . John Guth – Engineer . Steve Kaul – Engineer . Peter Kilgour – Engineer . Chris Mcgreevy – Engineer . Sylvain Mercier – Engineer . Benoiît Moritz – Engineer . Olli Haavisto – Engineer . Dumé – Mastering . Staffan Astner – Engineer, Mixing . Glen Scott – Engineer
Package : Patricia De Gorostarzu – Photography . Ben Hito – Illustrations . Bruno Boussard – Artwork . Sebastian Danchin – Liner Notes
Recorded In 2014.
Released In November 2014 By Stony Plain / Dixiefrog.
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SOMETHING ELSE!
As one of the sharpest practitioners of the Real Blues for quite some time, now, there might not be anyone more qualified today — save for Otis Taylor — to use the Blues as an instrument for promoting social progress. He does so with careful craftsmanship, diversity and poignancy through Blues People. […]
BluesMagazine
We, who traverse the highways and skyways of the planet playing the music known as blues, have become a rainbow tribe. We hail from many lands and cultures, bonded by our love of this music and the challenge of making it our own. What began in the fields of the southern United States, became a universal treasure, cherished by music lovers the world over […]
allmusic
The emotional center of the set is undoubtedly “Rosewood,” the narrative story of Rosewood, a whistle-stop town in Florida that was the scene of a racially motivated massacre in 1923, and is a symbol of one of the lowest points in American history. […]
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