Jeff Beck releases ‘Live +’ an album revisiting his catalog (2015)

Jeff Beck‘s ‘Live +’ is an album exploring Beck’s five decades catalog plus two new studio tracks and released on May 19, 2015.

Track Listing : 1.Loaded (Jeff Beck) – 02:56 . 2.Morning Dew (Bonnie Dobson) – 04:32 . 3.You Know You Know (Jeff Beck) – 06:31 . 4.Why Give It Away (Delila) – 03:40 . 5.A Change Is Gonna Come (Jeff Beck) – 07:20 . 6.A Day In The Life (John Lennon, Paul McCartney) – 05:01 . 7.Superstition (Stevie Wonder) – 04:00 . 8.Hammerhead (Jeff Beck) – 03:45 . 9.Little Wing (Hendrix) – 03:51 . 10.Big Block (Jeff Beck) – 05:07 . 11.Where Were You (Jeff Beck) – 03:17 . 12.Danny Boy (Traditional) – 01:34 . 13.Rollin’ And Tumblin’ (Mckinley Morganfield) – 06:13 . 14.Going Down (Jeff Beck) – 05:18 . 15.Tribal (Jeff Beck) – 03:07

Musicians : Jeff Beck – Guitar . Veronica Bellino – Drums, Percussion, Vocals . Ruth Lorenzo – Vocals . Rhonda Smith – Bass

Production : Produced By Jeff Beck .

Package : Hugh Gilmour – Cover Design . Robert Knight – Back Cover Photography

(Source Jeff Beck‘s ‘Live +’ | Live + | Jeff Beck – Official Site)

Beck‘s ‘Live +’ ‘ />

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Ultimate Classic Rock
Although the song is most widely known for Stevie Wonder‘s hit version, as many fans are aware, Beck was involved in the creation of “Superstition,” which took place during a brief collaboration he and Wonder engaged in during the sessions for Wonder’s Talking Book LP […]

SOMETHING ELSE!
In keeping with this new music’s extended gestation period, “Tribal” apparently went through more than one iteration — including, strangely enough, a dance version — before Beck stripped it all the way back again to his knife-edge guitar and Bellino’s thunderous cadence. […]

Rolling Stone
‘Tribal’ was the first thing I came up with, on day one of the L.A. recording sessions, Beck tells Rolling Stone. “It was meant to be for extreme club/dance-type music, and it went through several radical changes that just didn’t work. So with Ruth’s vocal we stripped it back to just me and Veronica, with Rhonda’s bass dubbed later, which brought back the wild roughness that I was originally after.” […]

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