Miles Davis records ‘Decoy’ with Robert Irving III and Branford Marsalis (1983)

Miles Davis ‘ ‘Decoy’ is an album recorded on June 30, July 7 and September 5, 10 & 11, 1983 with Robert Irving III, John Scofield and Branford Marsalis and released in In June 1984 by Columbia.

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Miles Davis records ‘Decoy’ with Robert Irving III and Branford Marsalis (1983)

1 . Decoy (Video)

2 . Code M.D.

3 . Code M.D.

Track Listing : 1.Decoy (Robert Irving Iii) – 08:33 . 2.Robot 415 (Miles Davis, Robert Irving Iii) – 01:09 . 3.Code M.D. (Robert Irving Iii) – 05:58 . 4.Freaky Deaky (Miles Davis) – 04:34 . 5.What It Is (Miles Davis, John Scofield) – 0 4:31 . 6.That’S Right (Miles Davis, John Scofield) – 11:12 . 7.That’S What Happened (Miles Davis, John Scofield) – 03:30

Musicians : Miles Davis – Trumpet, Synthesizer . Bill Evans – Soprano Saxophone . Branford Marsalis – Soprano Saxophone . Robert Irving Iii – Synthesizer, Synthesizer Bass & Drum Programming . John Scofield – Guitar . Darryl “The Munch” Jones – Bass . Al Foster – Drums . Mino Cinelu – Percussion

Production : Produced By Miles Davis & Robert Irving Iii . Ronald F. Lorman – Engineer . Tom Swift – Assistant Engineer . Bob Ludwig – Mastering

Package : John Berg – Package Design . Gilles Larrain – Cover Photography

Recorded On June 30, 1983 At A&R Studio, Ny; July 7, 1983 At Théâtre St. Denis, Montreal; And September 5, 10 And 11, 1983and Record Plant Studio, Ny.

Released In June 1984 By Columbia.

(Source Miles Davis – Decoy | Official Site)

Miles Davis

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Jazzbo Notes
Only Robert Irving III on synthesizer doesn’t fit in this august company. Mostly Irving provides washes of harmony on the keyboards, which are okay, I guess. The good news is that they don’t really get in the way. […]

Burning Ambulance
But in the mid-’80s, Miles was making a concerted effort to turn himself into a starand that meant selling his face, his voiceand his totally contemporary image anywhere and everywhere he could. […]

The Last Miles
Branford Marsalis says “Miles just had me on point man [on my toes]; it’s the best I’ve ever played. Wynton was like ‘You don’t play like that in my band,’ and I said ‘You hire Miles to stand in the room while we’re doing the record and I have a feeling I will.’” […]

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