V.S.O.P. featuring Herbie Hancock, Freddie Hubbard, Tony Williams, Ron Carter and Wayne Shorter record ‘The Quintet’ (1977)

V.S.O.P’s ‘The Quintet’ is an album featuring Herbie Hancock, Freddie Hubbard, Tony Williams, Ron Carter and Wayne Shorter and recorded on July 16 & 18, 1977 and released in October 1977 By Columbia.

Track Listing : 1.One Of A Kind (Freddie Hubbard) – 09:27 . 2.Third Plane (Ron Carter) – 07:19 . 3.Jessica (Herbie Hancock ) – 07:02 . 4.Lawra (Tony Williams) – 09:43 . 5.Darts (Herbie Hancock ) – 08:54 . 6.Dolores (Wayne Shorter) – 11:31 . 7.Little Waltz (Ron Carter) – 09:33 . 8.Byrdlike (Freddie Hubbard) – 08:05

Musicians : V.S.O.P. – Band . Ron Carter – Bass . Herbie Hancock – Keyboards, Piano, Synthesizer, Vocals . Freddie Hubbard – Flugelhorn, Trumpet . Wayne Shorter – Soprano Saxophone, Tenor Saxophone . Tony Williams – Drums

Production : Produced By David Rubinson, Jeffrey Cohen . Bryan Bell – Engineer . Fred Catero – Engineer . Les D. Cooper – Remote Recording . Dennis Mays – Remote Recording . Chris Minto – Assistant Engineer . Shawn Murphy – Remote Recording . Paul Sandweiss – Remote Recording . Ray Thompson – Remote Recording

Package : Russ Anderson – Design . Herbie Green – Design . Conrad Silvert – Liner Notes . Bruce Talamon – Photography

Recorded On July 16 & 18, 1977 At The Greek Theatre, University Of California, Berkeley And The San Diego Civic Theatre .

Released In October 1977 By Columbia.

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JazzGtrDude @ RateYourMusic
Absolutely killer. This hangs well with the miles davis second great quintet recordings. It’s a pleasure to listen toand the players are all on fire throughout. Miles is missed but freddie plays like a total beast. […]

Steve Hoffman Music Forums
It isn’t exactly the same — you miss Miles’ brooding presence and sense of space in Hubbard’s busy, fiery playingand Hancock is a more harmonically daring, assertive player than he was with Miles — but the interlocking telepathy and individual virtuosity of the musicians is pretty amazing. […]

JazzMusicArchives
This record’s new way of looking at post-bop stood alone at the time of its release during the last days of a dying rock influenced fusion scene. It had been a long time since anyone had looked at the swinging yet abstract qualities of this great 60s borne acoustic jazz genre. […]

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