Santana begin the recording of ‘Live at the Fillmore 1968’ for Columbia (1968)

Santana‘s ‘Live at the Fillmore 1968’ is a live album recorded between December 19 and 22, 1968 and released on March 11, 1997 By Columbia.

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1 . Treat (Tanglewood, 1970/08/18)

2 . Soul Sacrifice (Woodstock Music Festival, August, 1969)

3 . Soul Sacrifice (1970, “A Night At The Family Dog,” San Francisco)

LISTEN

Track Listing : 1.Jingo (Babatunde Olatunji) – 09:38 . 2.Persuasion (Gregg Rolie) – 07:05 . 3.Treat (Carlos Santana, Gregg Rolie, David Brown) – 09:37 . 4.Chunk A Funk (Carlos Santana, Gregg Rolie) – 05:58 . 5.Fried Neckbones (Willie Bobo, William Correa, Melvin Lastie) – 10:09 . 6.Conquistadore Rides Again (Hamilton) – 08:40 . 7.Soul Sacrifice (Carlos Santana, Gregg Rolie, Marcus Malone, David Brown) – 14:29 . 8.As The Years Go Passing By (Marcus Malone) – 07:49 . 9.Freeway (Carlos Santana, Gregg Rolie) – 30:15


Jim Marshall

Musicians : Gregg Rolie – Organ, Piano, Vocals . David Brown – Bass . Bob Livingston – Drums . Marcus Malone – Congas . Santana – Band


Wes Wilson

Production : Produced By Bob Irwin, David Rubinson . Vic Anesini – Mastering, Mixing

Package : Alan Di Perna – Liner Notes . Jim Marshall asterisques RVM – Photography . Cozbi Sanchez-Cabrera – Art Direction . Wes Wilson asterisques RVM – Illustrations . Rudy T. Zasloff – Design

Recorded Between December 19 And December 22, 1968 At The Fillmore.

Released On March 11, 1997 By Columbia.

(Source Santana – Live At The Fillmore 1968 | The Official Carlos Santana Web Site)

Santana

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Blogcritics
The hypnotic, mesmerizing grooves and pulsing rhythms are sure to keep anyone grooving along throughout the night and there is much to be found deep within the musical layers. […]

3rw4n @ RateYourMusic
Super live band with a real connection between all members. However I felt a bit bored at the end despite the superb As the Years Go Passing By. […]

Classic Rock Review
While the sound quality is excellentand Carlos Santana and Gregg Rolie are in fine form, the backup sounded relatively bland to me. Being a percussionist myself, I must point the finger solely at Bob “Doc” Livingston, the drummer. […]

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