The Bad Plus release ‘Give,’ their third studio album (2000)

The Bad Plus‘ ‘Give’ is their third studio album released on March 9, 2000 by Sony.

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The Bad Plus release ‘Give,’  their third studio album (2000)

1 . Cheney Pinata

2 . Cheney Pinata (Part Four)

3 . Here We Test Our Powers Of Observation

4 . Layin’ A Strip For The Higher Self State Line

5 . Dirty Blonde

The Bad Plus – Give


Track Listing : 1.1979 Semi-Finalist (David King) – 05:18 . 2.Cheney Piñata (Ethan Iverson) – 04:49 . 3.Street Woman (Ornette Coleman) – 03:58 . 4.And Here We Test Our Powers Of Observation (Reid Anderson) – 04:22 . 5.Frog And Toad (David King) – 03.37 . 6.Velouria (Charles Thompson) – 05:37 . 7.Layin’ A Strip For The Higher-Self State Line (David King) – 04:17 . 8.Do Your Sums/Die Like A Dog/Play For Home (Ethan Iverson) – 05:05 . 9.Dirty Blonde (Reid Anderson) – 03:42 . 10.Neptune (The Planet) (Reid Anderson) – 05:30 . 11.Iron Man (Geezer Butler, Tony Iommi, Ozzy Osbourne, Bill Ward) – 06:02

Musicians : Ethan Iverson – Piano . Reid Anderson – Double Bass . David King – Drums . The Bad Plus – Group

Production : Produced By Tchad Blake, The Bad Plus . Tchad Blake – Engineer, Mixing . Claire Lewis – Assistant Engineer . Bob Ludwig – Mastering

Package : Josh Cheuse – Art Direction . Matt Freisen – Illustrations . Marcelo Krasilcic – Photography

Recorded Fall 2003 At Real World Studios, Box, Wiltshire, England.

Released On March 09, 2004 By Sony.

(Source Official website)

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READ

Pitchfork
If a requirement for having an album attain “essential” status, in any genre, is proving that it wasn’t a happy accident, The Bad Plus have put These Are the Vistas at a serious disadvantage. […]

allmusic
While obviously talented and often inspired, it is unclear if the Bad Plus are avant-garde enough to appeal to hardcore jazz fans, or pop-oriented enough to grab the attention of rock listeners. However, fans of quirky, experimental music may find this worth a listen. […]

The Guardian
For all its improv feel, this is tightly arranged music. But if the Bad Plus aren’t as loose as they seem, the boldness of conception brings a welcome blast from left-field into the cosy world of commercially popular jazz. […]

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